Inclining towards controlled madness while also surveying the forces to which we may dutifully acquiesce, Sascha Braunig’s painting exhibition, “Poseuses,” at François Ghebaly, vividly replicates matrices of power that one can experience both personally and within the world, particularly if under the umbrella of female-identifying individuals. Employing at times flimsy and at times impotent female […]
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