In “Biel Lieb,” Olivia van Kuiken’s inaugural exhibition at Château Shatto, oil paintings of untamed, bold color and mark-making swing between styles of ink wash, graphic novel, pixel and gestures on the verge of becoming scripture, spellbinding the gallery. Fuchsia, aubergine, canary yellow, vermillion and lilac burst forth on the canvases, contained by welded steel […]
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