Melancholy rendered in pools of soft, golden sunlight. Love and loss braided into fields of wildflowers. In the press release for “Passage,” Coco Young’s first solo show at Night Gallery, curator Martha Kirszenbaum compares the exhibition to Agnès Varda’s lush New Wave film Le Bonheur (Happiness) (1965). Numerous scenes in the doomed filmic love-ballad feature […]
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