At the entrance of the gallery, viewers are confronted by a massive wall work by Moffat Takdiwa, bhiro ne bepa (pen and paper) (2023), constructed from the detritus of late-stage capitalism and post-colonialist society. The artist embraces the texture and materiality of discarded toothbrushes, and keyboard keys among other objects in pattern and repetition. Oluseye’s […]
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