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Gabriel Madan at Gattopardo

The slapdash brushwork of Gabriel Madan’s work suggests a personal but ultimately fleeting investment in his subjects. The style and content are both Pop but not too Pop – an oddball mix of semi-famous...

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Haena Yoo at Murmurs Gallery

Brushing my hair as a girl, I remember my hand growing heavier with each stroke as I entertained the wicked urge to unearth every girlish tendril in one fell swoop. The manic, menacing quality of Yoo’s...

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Matthew Brannon at David Kordansky Gallery

Through images of Satan and Darth Vader, and references to the politics of the 1970s, Matthew Brannon will unexpectedly break your heart. His show at David Kordansky Gallery mirrors the sensation of...

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Julia Weist at Moskowitz Bayse

Julia Weist’s “Private Eye” is like a neo-noir where the investigator investigates themselves and invites us along. The work traffics in suburban paranoia: messages on vanity plates and yard signs...

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Liz Larner at Regen Projects

Liz Larner’s wall works evoke the weathered, mysterious exteriors of unearthed petrified wood. Suspended layers of obsidian, sage, amber, and indigo feel almost magnetized, capable of reshaping the...

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Becky Tucker at Steve Turner

I love seeing an artist push the boundaries of the medium. Becky Tucker does exactly that with stoneware creations that are —FIRE. They look like Clive Barker created the Cenobites from Hellraiser in a...

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“signifying the impossible song” at Southern Guild

At the entrance of the gallery, viewers are confronted by a massive wall work by Moffat Takdiwa, bhiro ne bepa (pen and paper) (2023), constructed from the detritus of late-stage capitalism and...

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Austin Lee at Jeffrey Deitch

Austin Lee’s haunting soft-focus paintings are what I imagine my nightmares would look like if rendered in claymation and run through an AI algorithm. The artist’s digital/analog hybrids are creepy—a...

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Carter Potter at as-is.la

Sometimes art can just be a weird, cool thing that happened one time. Like, what if you took apart a three-part sectional, stacked it vertically, and poured eight gallons of house paint through it....

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Andrew Schoultz at Guerrero Gallery

The word trippy comes to mind here, but it might not actually apply. The quasi-mythological take on nature and the vibrating, prismatic color naturally suggest psychedelia but, overall, these are too...

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Rema Ghuloum at Philip Martin Gallery

This show has some of the best paintings that Rema Ghuloum has made, but that might be a problem. She’s honed this language—obsessively detailed, rainbow-hued, color field paintings—past the point of...

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Post Human at Jeffrey Deitch

Jeffrey Deitch reimagines his 1992 exhibition, “Post Human,” with a dialogue between the 90s works and newer ones, presenting dueling visions for the future of humanity and the self. The show is an...

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Oshay Green at C L E A R I N G

I’m not sure I completely understand Oshay Green’s obliquely-named sculptures made of deconstructed leather couches, or how they relate to a series of embossed wooden slabs and a haunting wall work...

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Oscar Tuazon at Morán Morán

Oscar Tuazon’s activist art project LAWS: Los Angeles Water School combines high concept with a rigorous materiality. Machined folds and facets shape The Evening Redness in the West (2024) a C-print...

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Michael E. Smith at Chris Sharp Gallery

Michael E. Smith’s unassuming, poetic sculptures are late capitalist Zen koans: riddles with no answer but which nevertheless spark a moment of satori. For instance, a milk carton covered in mirrors...

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“a field once more” at Melrose Botanical Garden & Jane Galerie

Melrose Botanical Garden is not actually a garden, but it might as well be. Tucked between thrift shops and piercing parlors on the avenue, the narrow gallery feels like an oasis. “a field once more,”...

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Gabriel Madan at Gattopardo

Not all pop art is created equal. Gabriel Madan’s literally pops off the wall: As in, a colorful macaw plushie is affixed to one of his paintings, a heart-shaped tag reading “I’m a puppet.” I want to...

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Raymie Iadevaia at The Pit

The post Raymie Iadevaia <div class='subhed'><span>at The Pit</span></div> appeared first on Artillery Magazine.

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Divya Mehra at Night Gallery

A mechanical broom wielded by a robotic arm sweeps across the floor under the corner of a custom-made oriental carpet shaped like India. In an adjoining room, an enormous inflatable Pillsbury Doughboy...

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“Scupper” at François Ghebaly

Curated to pose as a mirror to society’s collapse, “Scupper”’s artists address a spectrum of social ills from preservatives in food to inadequate healthcare. The six-page press release does a better...

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