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Darya Diamond at Sebastian Gladstone

Looking at Darya Diamond’s limp latex sculpture, In Every Dream Home a Heartache (2024), I think of bruised skin, frail shoulders: a tired body collapsed on the floor — phallic, deflated, stamped with...

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Jane Dickson at Karma

I never feel hotter or more detached (indeed, more American) than in a car, windows down in the August heat. It’s an exercise in movement, longing on an unremarkable plane of asphalt. Each lane is a...

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Larry Madrigal at Nicodim

With scraped knees, tangled sheets, and yesterday’s discarded clothes strewn across the floor, Larry Madrigal’s new evocative paintings at Nicodim showcase the artist at his strongest. In moments where...

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Meg Lipke at SHRINE

These paintings have a slight hamfistedness, which suggests distance from their alternately whimsical, mystical, Modernist, and Premodern sources. The allusions and references here—like Lipke’s...

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Kevin Brisco Jr. at albertz benda

Most figurative painting is terrible but these are surprisingly good. Brisco’s restrained brushwork produces a flat clarity that recalls Alex Katz but with harsh moody colors and lonesome figures which...

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Plugged In: Art and Electric Light at Norton Simon Museum

Grouping art by medium is always too obvious, even when the medium in question has the pizzazz of electric light. This exhibition focuses on the years 1964-1970 but does not, otherwise, establish a...

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Shirazeh Houshiary at Lisson Gallery

Houshiary’s mesmeric abstract canvases depose our human perception of scope and scale, engaging the macro and microscopic; they connect a single breath to the breadth of the sea, carbon’s molecular...

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Eugenia P. Butler at The Box

Butler’s threadbare saffron works-on-silk line the perimeter of the back gallery, floating forward and back, filling and falling as if breathing. Suspended by invisible supports and backlit, the...

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Lotus L. Kang at Commonwealth and Council

To experience lack is to be reminded of the boundaries of the self, of others. Lacking realizes the unassailable distance between you and everything you don’t and won’t ever have. Therein to lack...

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Nate Lowman at David Zwirner

I’ll admit that before attending a press walkthrough for Nate Lowman’s “Parking” at David Zwirner a few weeks ago, I wasn’t familiar with Lowman’s oeuvre. The paintings first appeared to me...

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Cai Guo-Qiang and cAI™ at the Los Angeles Coliseum

At dusk on September fifteenth, nearly 5,000 spectators gathered on the field of the Los Angeles Coliseum to view WE ARE: EXPLOSION EVENT FOR PST ART, a monumental daytime fireworks display by Cai...

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The Harrison Studio [Newton and Helen Mayer Harrison] Survival Piece #1: Air,...

Organized in concert with the Getty’s PST ART initiative, this re-mounting of Survival Piece #1: Air, Earth, Water Interface or Annual Hog Pasture Mix (1970–71) — in keeping with the entirety of the...

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Duncan Hannah at The Journal Gallery

In the early years of cinema, actors were treated as crew members working the conveyor belt of industrialized studio systems. But by the silent-film era of the 1910s, the star system had begun to take...

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Echoes of Voynich: Coded Systems in Contemporary Art at Wonzimer Gallery

This show at Wonzimer Gallery, organized by contributing artist Marcie Biegleiter, is inspired by the Voynich Manuscript, a work that constitutes a parallel exhibition to the show she curated. The...

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Aria Dean at Château Shatto

In her still-young career, Aria Dean has shown a remarkable knack for giving the institution exactly what it wants: shrewd work that stings the nerve of the moment without quite stabbing it. In...

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Larry Johnson/curated by Larry Johnson at Reena Spaulings/ O-Town House

In two exhibitions spanning galleries some twenty-minutes apart depending on traffic, Larry Johnson presents his own work alongside that of two other gay artists of a certain age and a certain...

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Alexander Reben at Charlie James Gallery

The central piece here is four split-flap displays showing AI-generated text and a large HD TV displaying images based on those texts. The problem is that AI images are already familiar enough to be...

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J. Parker Valentine at Bel Ami

The one large abstract drawing here, wedged precisely in between the ceiling and floor, explores a relationship between geometric form and explorative mark-making. The light touch is enticing, but the...

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Rocky Morton Shatto Gallery

These paintings feature drip-like tendrils of paint, blown by a leaf-blower and sprawled across the canvas at all angles. Areas of the surface are covered at random but, more or less, evenly, like...

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Beatrice Arraes at Sea View

The song Kukukaya, which partly inspired Beatrice Arraes’s solo exhibition, speaks of a game meant for four, but “Jogo de Mesa (Table Game)” feels purposely solitary, quiet—a slow reckoning with time,...

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