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“Actions” at Sarah Brook Gallery

While the connection between the works in Actions is as ambiguous as its title, the exhibition braids together three artists worth examining individually. Laurel Nakadate’s installation serves as a...

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Elise Rasmussen at Night Gallery

The history of photographers capturing the West is as storied as the mythos of manifest destiny. Elise Rasmussen steps knowingly into this lineage and subtly pushes the contemporary momentum of turning...

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Sabine Moritz at Gagosian

Staggeringly reactionary paintings for a staggeringly reactionary world, Sabine Moritz serves up “lyrical abstractions” (this is a genre, not an assessment) with the warm Crayola-explosion palette of...

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Shiva Ahmadi at Shoshana Wayne

A welcome break from hordes of contemporary painters retreading 60’s rear-guard aesthetics, Shiva Ahmadi is instead reminiscent of her near-contemporary Wangechi Mutu. Here are the same flowing...

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Haunting House at Departure Lounge

The last time Jamison Edgar curated Matthew McGaughey was at Honor Fraser, where I had VR sex with the Fixer Upper stars Chip and Joanna Gaines. I wore goggles with Chip’s POV and had an unforgettable...

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Chase Hall at David Kordansky

There is just something about Chase Hall’s mark-making. He covers the faces of his subjects in stylized patterns that resemble African masks before staining the cotton with coffee. The artist’s marks...

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Tim Presley at SADE

I know when it’s time to eat my words and admit that, perhaps, I was wrong. A few years ago, I proclaimed (often) that I hated portraiture. In my defense, this was a period of overabundance, when Chloe...

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PICCLE P at Sunset Blvd., et al

The post PICCLE P <div class='subhed'><span>at Sunset Blvd., et al</span></div> appeared first on Artillery Magazine.

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Walead Beshty at Regen Projects

Walead Beshty brings five distinct bodies of work together in his exhibition “Profit and Loss” at Regen Projects. In each of these projects, Beshty recasts familiar urban materials (vinyl, newspaper,...

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Gustav Metzger at Hauser & Wirth

The re-examination—some would say reawakening—of radical artistic movements in the postwar era has exposed the technological as well as ideological stew out of which the digital activism of today’s art...

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Matthew Lax at Human Resources

On a rainy Saturday in early November, I spent the better part of an hour sitting cross-legged inside an XL dog crate. I did so in order to watch the screens mounted to the crate’s interior that...

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Lauren Bon at Honor Fraser

If the sculpture of concrete’s last big cultural “moment” (sometime in the 2010s) was typified by figurative and abstract cement statuary that merely winked at its Home Depot provenance, Lauren Bon...

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Hiroshi Sugimoto at Lisson Gallery

The entrance to Hiroshi Sugimoto’s exhibition at Lisson Gallery, “Form is Emptiness, Emptiness is Form” is partially blocked by a curved wooden wall. The wall commands recognition, separating the...

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T.J. Dedeaux-Norris at Walter Maciel Gallery

T.J. Dedeaux-Norris had already segued from performance and music to painting and printmaking before completing her MFA at Yale, but she foregrounds the performative aspect of her approach in “Breach...

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Jingze Du at Steve Turner

Jingze Du’s exhibition “True Colors” features the most well-executed oils in recent memory and all of them are of cute animals. The animals are mostly uninflected white, and their cuteness is eerie and...

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Olivia Mole at Gattopardo

The shower scene in Psycho. You know it, everyone’s seen it. Go to the end. We follow a trail of blood and water through the tub, then push in as it swirls down the drain. In this moment, always, I beg...

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Duelling Reviews: Joseph Beuys at The Broad

The 40-Year Funeral By Pat Williams There are very few people alive today that can remember a time when conceptual art was considered to be unusual. To most of us it came as a given, buried in among...

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Prima Sakuntabhai at The Fulcrum Press

This show is all smoke and mirrors, but in a good way. Prima Sakuntabhai plays with transparencies, reflections, and shadows to recapture their great-grand-uncle’s favorite haunts. The elder relative...

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Vanessa Hérnandez Cruz at Highways Performance Space

Vanessa Hérnandez Cruz defied time and space with her sci-fi thriller disguised as a dance, “Rain Glass Vortex.” In the performance, Cruz wrestled with her dance partners: her walker, Pluto, and her...

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Barbara Carrasco at the Natural History Museums of Los Angeles

The Queen of Los Angeles will not allow her history to be erased, and neither will Barbara Carrasco’s 1981 mural L.A. History: A Mexican Perspective. Censored swiftly after its completion by the...

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