These paintings have a slight hamfistedness, which suggests distance from their alternately whimsical, mystical, Modernist, and Premodern sources. The allusions and references here—like Lipke’s interpolation of Neolithic-era petroglyphs into Kandinsky-esque painting – feel shoehorned in. The spirals, squiggles, and curlicues are more re-created than improvised, which is odd for a style that invokes the freedom […]
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